the scribe has both single and double compartment 'a' in his repertoire. Double compartment 'a' is used most of the time.
for certain words, and 'was' is one of them, the scribe consistently chooses a single compartment 'a'.
the second 'a' in this word and a peculiar variation, reminiscent of some of the scribal experiments with upper case 'A'.
the scribe's conventional upper case 'A'. However, this scribe uses a multitude of variant upper case 'A's and these will be displayed in the Wild Letter section.
the lower lobe of 'd' is usually angular with point at the left and hairline to close.
'd' in final position with descending tag attached.
again 'd's with triangular lower lobes.
'g' also has a triangular lower lobe'.
an even more angular configuration. 'g' in final position with vertical tag descending from the horizontal slash.
the limb of 'h' usually descends in a neat curve which is rarely extended.
here it is straighter.
upper case letter at the beginning of a line with loop on the left of the stem.
modern 'r' used most of the time.
it is just possible to see here the small otiose stroke which descends from the left or the middle of the bottom horizontal stroke. The Petworth scribe who copied the remainder of the manuscript also uses this form of 'r'. 'z'-shaped 'r' is used after 'o'.
sigma 's' used both initially and in final position.
kidney 's' also used in final position.
an angular '8'-shaped 's' is also used in final position. There does not appear to be any particular reason for the choice of letter shape and they alternate at random.
long 's' is used initially and medially. The letter does not usually extend much below the base level of other letters in the word.
this scribe has innumerable forms of this graph. On some folios many different forms may be found. On other folios he will use one particular form as a preference. This version is most similar to the 'w' of the main scribe of this manuscript.
there may be very very fine strokes at the head of each limb which actually close the head. They are difficult to see in this example so may not be there.
here the middle limb is set at an angle and stands above the square element to the left and the 'B'-shaped element to the right. There is a very fine approach stroke at the top of the middle arm.
several 'w's formed in this way appear to have fine pen-work 'bubbles' above each limb of the graph.
'y' is usually neatly contained with few extravagant extensions to the tail of the letter.
here the scribe has taken the tail of 'y' up to make contact with the next letter.
the tail of 'y' is frequently formed with little pressure from the nib..
versions 1-3 of upper case 'A' are all found on the same folio as well as the more conventional double compartment upper case letter.
two staggered squares below and above the central curved stem of 'A' make this an unusual and identifiable upper case graph.
|Upper case Letters|
yet another variation on 'A'.
several upper case letters have decorative strokes within the letter itself.
some letters have shadow lines within the letter, or in the case of upper case 'I' following the length of the letter itself.
|Thorn and Ampersand|
thorn is used infrequently and on the folios represented here there are no examples of yogh..
thorn is squat in appearance, usually rests on the line with the top of the lobe balanced against the left descender.
usually has a curving approach stroke and defining horizontal above.
'e' frequently has an extra stroke looping round to join top and lower parts of the graph.
't' in final position also often sports an extra flick upwards on the cross bar.
not a flourish, just an extra flick of the pen.
on this folio, many of the 's's, of no matter what form, attract a descending otiose stroke to finish.